April 10, 2009

In C

If you’re not familiar with this piece, it’s time you got to know it. Composed in 1964 by Terry Riley, the piece is a set of 53 cells of music ranging from two sixteenth notes to a page wide melodic line. The instructions ask everyone to start on the first cell, and move on individually to the next cell when they feel like it. The group has to stay close together.

Terry Riley

I’ve rehearsed this piece four-ish times now with my ensemble, and each time this piece is completely, amazingly, different. It’s set up to slowly evolve in many ways. Dissonance waxes and wanes. The key modulates. It changes from a 2 beat feel to a three beat feel. It’s amazing. I love the part in the middle where the dotted quarter notes build and build, climaxing on a B. And the cell after it just makes it even more intense, while giving it a way to slowly fizzle out. Everyone in the group is having a BLAST playing this piece. The performance is Tuesday 4/14/09 in Nordica at 7:30 along with a few other minimalist pieces.

Score

April 6, 2009

New Violin

I have a new violin! I just bought it through a local luthier (Robert Beecham), although it’s still factory made. It is a beautiful instrument in both looks and sound. I think one of the biggest upgrades was the strings. I had been using steel strings, but this instrument came with Dominants. What a difference!

In other news, I’ll be playing “In C” a week from tomorrow in Nordica Auditorium in Farmington. Come check it out! I hope everything goes well. I’m afraid some of  the other performers aren’t taking it seriously enough. It is a deceivingly difficult piece. Anyway, I’m tired, and hitting the hay. G’night!

January 30, 2009

Loop Pedal Notation

I’m working on a set of etudes for piano and loop pedal. I’ve thought up all the possibilities a loop pedal can add to music and the ways in which it can be used. I also have a string quartet with loop pedals in the work. My question to anyone reading this; what do you think is the best way to notate a loop pedal? Right now, I just add a single line below the music and use a rhythmic note to define how long the loop pedal should record. I’m just not sure if having an extra staff makes reading the piece to difficult. Any thoughts?

January 12, 2009

Of A Mountain and Benjamin Button

Life is always the most bizarre when I come home.

Here I was, at Four thirty in the afternoon, on the side of a mountain covered in ice. Before I left, I was dealing with the prospect of friendship in need of some work, an overbearing mother and a father angrily clinging to an issue we had over a sock. I was told it was too late to go hiking and that it would get dark too soon for it to be safe.

But I’m 21, and these worries just make the trip that much sweeter. Dressed in whatever snow clothes I had decided not to bring to my apartment, I started climbing the icy slopes. With every step I take, my green boots slide a few inches in the other direction. All was snow and ski and trees, but the snow was deceptive. It would be solid and easy to walk on, then change to powdery and deep. Without warning, the snow would give way to ice underneath. I was wearing those gloves that are fingerless but have a mitten attachment that flips over to protect my fingers. I could feel the heat in my body rising, and couldn’t decided whether to take the gloves off to cool my body a little or to leave them on and protect them from snow when I fell. Every few steps I would have to stop to slow my breathing. My pulse was so strong it was causing my throat to jolt with each beat of my heart. There was a rhythmic wheezing in my throat, not attached to my breathing but to my pulse. Every time I stopped I turned back to see the sky as it attempted to hold its head up above the black fingers of the clouds below it. As I climbed and took breaks, I watched the whole struggle unfold. Unfortunately, the sun finally gave in and fell to grey clouds; wolves that they are. I reached the summit just in time to see the last breath this day would take.

But all this struggle wasn’t enough. Things continued to compound. My dad continued his sock fueled vendetta against his oldest son. Even after my mother found his other pair of missing socks in the laundry, he decided we should have a talk, lest and sock related incidents should happen again.

I’m even more worried about life and my place in it at this point. None of these thoughts even come to me when I’m at school. So I get away to my girlfriends for the night. We decide to go watch The Curious Case of Benjamin Button. My friend that saw it said it was alright, but really just another Forrest Gump. I think he missed it.

With all the things going on in my life when I entered that theater, I was in a high state of anxiety. There were far too many important decisions to be made about my life. But the the movie opens, and begins to talk about life and death. The theme is simply that; we all die. This plummets my mood infinetly, to the point of almost breaking down into tears in the theater. And then the mood changes. Benjamin quickly accepts his situation and learns to love it. He enjoys everything that love has to offer him, and goes round the world seeing everything that he can see. He loves many women, drinks, and just enjoys life. He never does any of this to escape life; he does it to find it.

This was the idea that hit me hardest. I was brought up in a really sheltered household in which violence was common and love and fun were not. Conversation was given away to the television set. Sex was something you did when you were married and miserable. Alcohol was for people that had lost their way. To see this alternate view of life in which life is found in the things I had been told to avoid was amazing. When Benjamin found out the girl he loved was with another man, he was happy for her to have found someone. When she found out he was with another woman, she was happy he found someone to keep him warm. The movie was happiness. The kind I hope to have. It’s realistic in the thought that nothing ever works out perfectly. We don’t always get what we want, but we need to be able to just pick ourselves up and try again. We need to remember that there is a bigger world around us, and it is OK to join it.

I left the theater free from anxiety and with a healthy sense of possibility.

January 6, 2009

Hook

I just watched hook and it brought back my entire childhood in two hours. Watching Robin Williams realize what it meant to be a kid and respect this aspect of his own children brought back exactly what kind of adult I wanted to be as a child. I wanted to be a classy city man who still enjoyed being playful. I wanted to love my children and raise them to see the world as a series of potential outcomes rather than a monotonous cycle of birth, work, and death.

Compare that to the feeling I got from Finding Neverland. After that movie, I thought about the fragility of life and childhood. I wanted to help my children grow into fully productive, happy, stable adults. I guess  the latter is the correct one. We can’t stay children forever. The point of playing and pretending is to learn how to properly be an adult in a safe and consequence free environment.

Thoughts?

December 11, 2008

The Concert Last Night…

Went Great! A lot of people showed up to support all of the young student composers at UMF. Thanks to everyone that made an appearance! I should have the recording of “For Tesla” mastered by late Sunday and up for download. Thanks!

December 9, 2008

End of Semester

So, this semester is coming to its zenith while all the students run around trying to finish everything on time while the professors stare on with disappointed faces when everything shows up a few days late. It is a very busy week, this week, filled with students movies and works and pieces. Most importantly, my piece. There is a premiere of a piece of mine tomorrow night entitled “For Tesla”. The piece is composed for violin, cello, and laptop, and explores our connection with electronics and their importance in our lives. The piece is dedicated to Tesla, a man who made more of our current situation possible more than anyone else. He even had a plan in the works for a sort of wireless worldwide Internet in the early 1900’s. Anyway, if you’re around come check it out.

Tesla

In terms of pieces I’m working on, I’m still waiting for a friend to create an opera script for me (her writing is worth waiting for). So, in the meantime, I’m starting on my most ambitious project yet. I’m calling it “Music for Five Quartets”. It’s inspired by Radiohead and Ives oddly enough. If you know the two artists, I’m sure you’ve already made the connection: layering. I get bored with pieces with a single layer. This was the idea behind polyphonic music, but that quickly consolidates to a single layer once you study it enough, just a layer that moves in a way to seem like multiple layers. So, I’m going to attempt poly-textural music; music that exists in many different layers and consists of multiple ideas coming together to form a multi-layered idea.

November 9, 2008

Ruth Crawford Seeger…

… has just made it onto my list of composers that I need to learn more about. One of my professors played the third movement for her string quartet in class, and I was blown away. It’s exactly the sort of sound I’m looking for. It creates this beautiful echoing effect through unique delays between the instruments entrances. It’s so organic in the way it builds and flows. It made me think that I’d like my music to be performed in large open stone buildings with a lot of resonance instead of in a concert hall with almost none. Removing the echoing removes some of the physical interaction we have with the music as it bounces off the surfaces and continues to reverberate through our bodies. The notes aren’t so important, but the sound and life are.

October 28, 2008

Back on the Horse

It’s been a while since I wrote last. I did not get to go to New York yet. I still really want to go and se Doctor Atomic. However, things are going really good with my compositions. I got asked a week and a half ago to compose some music for a promotional trailer to a film about the heating oil crisis in Maine. The man putting the film together is Tom Jackson. One of the women working with him went to UMF, and heard some music I did for another film, and asked if I would be interested in helping them out. So, with a two week deadline, I composed a piece, one version one minute long and another that was two minutes long. I got a group of friends and professors together and we recorded the piece this afternoon, and I am mastering it right now. The one minute piece came out at 1:35, and the two minute came out at 3:23. Either Sibelius was 50% off, or we were 50% slow. I blame sibelius. Anyway, they’re finished, and I hope to give you a link to view the trailer when it’s completed.

My favorite piece to date is almost finished. The posthuman piano sonata is becoming three separate piano pieces, and the second one is amazing. It’s these shifting, swelling, echoing chords. It should be finished soon.

October 9, 2008

Update

So my best friend and I are going to NYC for a pilgrimage. Well, it’s more for me than for her, but either way, it’s going to be a big weekend. The highlight is, of course, Doctor Atomic by composer John Adams. I’ll leave a review after. It works in an area I’m interested in. Modern (or post-minimalist, rather) opera, using electronics. I’d like to work on one next semester (an opera that is). I have a friend working on the script (I think I’ve mentioned this already).

The other event we’re going to is the Steve Reich Evening at BAM. Lot’s of Reich, dancing to go with it, sounds like a good time.

Other then that, we plan to get lost in Chinatown and Little Italy for a bit. Getting lost is an adventure in itself, and since we’re both avid hikers we really can’t do that in the wilderness anymore. However, we are great at getting lost in the city.

Anyway, I’ll post how everything works out later.